At Hershman Rights Management we help authors and publishers break into new markets and expand into as many new platforms as possible. We represent; indie and traditionally published authors, writers who aren’t yet published,and publishers without in-house subsidiary rights specialists.
We are proud to represent our authors and share their work with you.
We have helped release audio books from a variety of genres. Here are our most recent publications! Enjoy!
Let us know what you think!
For more information about Hershman Rights Management visit our website!
You can scroll through the blogs, the forums, the advice columns…but always remember, you’re different than the person posting online. Your creative experience and beyond is your experience alone. Two people will not share the exact process…similarities, sure, but not replicated.
So, take any writing or publishing experience stories as a grain of salt in the big pot of publishing stew!
We know, we know…it’s not our lastpost of the year, but it’s close to it! We figured it would be good for anyone looking into getting published to get the heads up: the results are in, publishing trends are here.
Before we get started though, we want to direct you to the source in which the general info comes from. Opinions and advice are ours! But check out this blog/publishing service.
Let’s get right into it!
First and foremost, is the decline in reading going to push writers away from publishing their work?
We vote a big fat NO. Reason being, we see the decline in reading as a way to push writers to treat their work with care (and to get into e-Pubbing, but we’ll discuss in a second.) Getting all the pre-publication shenanigans out of the way is something so many people don’t truly pay attention to – so maybe, it’s time we give our precious work some TLC and hire a few people to take a look at what we’ve got.
Print books remain #1. What does this mean for you?While everyone (or maybe it was just me) believes that eBooks are the only way to read now, we come here to confirm: this is not true. Print books remain the champion of reading (even if less people do the act of reading.) Now, before you comment and say, “getting my book printed will cost so much money” or “I can’t seal the deal with PRH or Tor or any of those big publishers!” Don’t forget about print-on-demand: the most efficient way for a self-published author to get their book in physical format! So you can still make your way into the print market without a major publishing deal (sorry, big guys.)
Audiobooks are still on the rise!
We love audiobooks here at HRM. We talk about them enough to say we’re not surprised they’ll continue to rise come the new year.
We’ve talked about it once, we’ll talk about it again: hybrid/collaborative publishing is important and will continue to rise in popularity in 2019. Why should it be important to you?Hybrid publishing and collaborative publishing are important mediums to self-published authors (or writers looking into self-publishing.) We want the quality of a major publisher (you know, the big tough editors and the fantastic printing jobs) but since deals from them are far and few between, we need an alternative. An alternative where we have creative flexibility and control over the work in question. These mediums are just that. They provide the quality care to your work as well as giving you the power over it – with consideration, of course. Major publishing houses ensure a bigger paycheck, but why not get your foot in the door to start?
Marketing is your best friend.
We talk about marketing a lot on this blog. It’s an important part of being a writer/author who wants exposure. If you’re interested in keeping up with a variety of marketing tactics, just use the search bar for this blog and we guarantee you’ll come across something.
Our office has been celebrating the upcoming release by our author, Mike Omer, published by Thomas & Mercer. A release that has been top of the charts for the last couple of weeks! A Killer’s Mindwill be available for purchase on August 1st, 2018. Pre-order it today!
Three Chicago women have been found strangled, embalmed, and posed as if still alive. Doubting the findings of the local PD’s profiler, The FBI calls on forensic psychologist Zoe Bentley to investigate.
Zoe quickly gets off on the wrong foot with her new partner, Special Agent Tatum Gray. Zoe’s a hunter, intense and focused; Tatum’s a smug maverick with little respect for the rules. Together, they must descend into a serial killer’s psyche and untangle his twisted fantasies, or more women will die. But when the contents of three inconspicuous envelopes reveal a chilling connection to gruesome murders from Zoe’s childhood, suddenly the hunter becomes the hunted.
A little late to the BookExpo train, but we’re here to update you all on one of the most important parts of our day.
In our opinion, the best panel we attended was the impromptu one. Long story short, the panelists who were supposed to be in attendance and speak got stuck somewhere else and two agents took over halfway through the wait.
One of the most talked about points of the conversation was about metadata. In book publishing, metadata was stressed so much and we’re here to help you understand why.
What is metadata?… I asked myself the same thing. I knew it had something to do with the discovery of online destinations, but I didn’t know the breakdown. Book metadata, specifically, consists of the details that help the exposure of your novel on the internet. But what does it consist of? Let’s talk about that.
Before the publication of your novel, you should consider opening up another document and writing out three basic points:
Keywords / key phrases
Book description using keywords
Author bio, using keywords
Do you see the common trend? I do. Keywords.
Keywords will become your best friend and your book’s best friend. But stay away from the generic words and “less important” ones. Your work could easily get lost or misplaced on the internet. Double check those words on a search engine to see what comes up. If it is similar to your work, then you hit the jackpot.
Your list should be narrowed down to 10 – 20 words. You’ll be able to use this same tactic for the book description and author bio to reach a max audience.
To continue to thrive in the market, revisit this and re-brand yourself every so often. When you do this, you’re re-entering the market to a new wave of potential readers and fans.
Ahoy mateys! It is I, Captain of the HRM ship, here to tell you: PIRACY. IS. NOT. OKAY.
I love a good Captain Jack Sparrow gif…but hey, he’s a pirate too.
We’ve been seeing complaints online and receiving alerts from our own authors about “piraters” uploading whole e-books and audiobooks onto various platforms across the web, which is both frustrating and saddening. No one wants to see their work uploaded onto book platforms like iBooks or Google Play Books without their approval, especially if it is being sold for even the smallest amount of money. But most pirated material is put out for consumption for free, that’s even more of a reason to freak out as an author. People downloading their books for free when they depend on this money to support themselves and their families (not to mention all the hard work and long hours they put into it)?! This is blasphemy!
Yeah, okay, a lot of people try to reason out the pros and cons of piracy across all platforms…but at the end of the day…someone is making dirty money. Take a bath, why don’t you?
The theory goes that if it is free, shouldn’t you be happy that the book is at least getting some exposure? And if someone reads your book, becomes a fan, and wants to support your writing career, they’ll start to contribute to your newer titles…I suppose that is a good thing? At the end of the day though, it’s just not the life for me.
Is it worth putting up a fight to save your titles? In my opinion: Yes. It. Is. There is this incredibly detailed article talking about the steps to taking down a pirated book. Read it if the pirate market is bothering you to the Nth degree, it certainly has been here at HRM recently.
Since most of our agency’s authors have audiobooks through a publisher, it’s important to know that audiobook piracy happens as well. We have been finding full books up on YouTube and iBooks (make sure to check the podcast section as well, many free audiobooks end up there). Each publisher has their own process for getting these audiobooks taken down. They use sites such as DMCA, Digimarc, and MarkMonitor. It also doesn’t hurt for you to send a Takedown Notice to the website you found your pirated audiobooks on either. We could use all the resistance we can get.