Lucky day for you! Today we are going to dive into trickery and deception to write my favorite fluid character archetype: the trickster.
Now, this can be on of the protagonist’s friends or one of the antagonist’s henchmen. Or, plot twist, they don’t have any firm association with either and bounce around from faction to faction. Most tricksters are written into a narrative simply for the fun of it. Typically, an experiment for a writer, which is why you’re here…no?
One thing you’ll need to draft out for your mighty jokester to be effective is: their goal. Or goals, if you’re feeling crazy. This character is going to have the most obscure goal, no one is going to know it other than your reader (maybe). No one in their immediate life should know what they’re after. It’s for them…and them alone.
Let’s talk about what the essentials are to writing the ideal trickster. They have tropes, as any character archetype does!
Here’s the thing about the tricky one: they are trying to manipulate someone in order to achieve their goal. In order to do so, they are going to make it seem as though they are incapable of doing anything. By doing so, they will be able to act more freely and move towards what they are aiming for. Appearing dumb and out of their minds to their “allies” is probably the smartest way to manipulate them into thinking they won’t have to worry about them as much as they may other, more useful allies.
Being a Pro at Analyzation
This particular character needs to know who their working with. What I mean is, they need to be able to analyze their ‘victim’ efficiently and know how to take advantage of them. The best way to take down the ‘enemy’ is by taking note of their weaknesses. Once they have access to that, they will be able to relentlessly use it against their target. They don’t have any care in the world about the person’s feelings…they care about getting what they want!
A Master of Disguise
What happens If your character is in the game of deception for a long time? Those people around them start to see right through them. Being a master of disguise goes beyond physical appearance. Will the trickster be able to deceive their way into a group of individuals? Can they be able to both look and act the part? Being able to hide themselves is important. Staying hidden can make for a very fun and interesting reveal once the trickster meets their goal!
Lie is a Lie Being obscure is fun and all, and practically the whole point of this character. However, you want your reader to know something is fishy with this character. It can be a bit confusing if the trickster comes out from left field with an “A-ha!” moment. You want those subtle hints in actions and dialogue so your reader can look back and say, ”Oh, it was right in front of me this whole time!” Or take note of something being strange about this particular character. Keep this in mind: a lie is a lie. Let your reader catch this character in a lie, or doing a shady act…but use their charisma and cunning tongue to hide the truth. Your reader will be impressed.
These are the basics behind the tricksters. Some prime examples from literature are Tom Sawyer, Skeeter (from The Help), Matilda, The Cheshire Cat (from Alice in Wonderland), Tyrion Lannister (from the Game of Thrones series.) The list goes on!
Do you have any trickster in mind that has done a great job with manipulating those around them? Let us know!
These are not just for the dads of the world…everyone can use a good pun! Slip it into a conversation for (hopefully) a good laugh, or they often make for a great social media caption. So let’s have fun this Friday and read some puns!
Here are a few of our favorites…
My costume is eerie-sistible
Creepin’ it real.
It’s a brew-tiful day for eating tons of candy.
I won’t let you slip through my Butter Fingers.
Ghouls just want to have fun.
I hope you had fun in the pun-kin patch! I’m sorry I couldn’t help myself:)
Comment your favorite pun below, or share one we haven’t.
You may have thought this popular app was just full of dances, but there is so much more! Especially for book lovers and literature enthusiasts. So next time you find yourself scrolling through the app, check out these bookish accounts!
If you want to take a step back from book recommendations and quirky videos, check out @bearcub79’s account for awesome book binding demonstrations! If you want a closer look into the process and get restoration tips this is a good place to start.
Here in the office, we live and breathe romance. It’s not our only focus but it’s one of the more popular ones we work with. And romance is woven into most, if not all, stories in some way, shape, or form.
Today, we want to highlight some tropes in romance. Some common, some not.
Do you have a favorite trope?
One character has wronged another. This can include wronging not just another character but something else (ex. a group of individuals, a law, etc.) This character must redeem themselves in the story…or try to. Will it succeed? That’s up to you, the writer!
Obstacles such as culture, family, social class or friendships keep the pairing apart. But nothing ever does keep two true lovers apart! The real question becomes: does it end on a good note? Do we smell an HEA or a tear-jerker?
A near-tragic event forces one character to forget their past and who they are. Don’t forget to research the type of head injury and amnesia you want your character to cope with to avoid generalizing your story. The story itself revolves around how they move forward and adapt to their “new” life. Will they remember who they were? Or…not?
One of the two main characters is heir to a fortune. If they know about it or not is entirely up to you.
Someone is an orphan. The situation matters, too. Did they grow up in the foster system? Or did the parents pass and distant family take them in? It all affects the story and how it unfolds!
This was a rocket battery used by the early Chinese Ming Warrior, warriors in existence during the Ming Dynasty (1368).
It’s a long range weapon. It cast 32 arrows in one shot, which were tipped with rockets. The arrow tips themselves were tipped in poison or something flammable – to increase enemy kills. They traveled up to 5 football fields away.
The nest itself was a hexagonal tube, equipped with a shoulder strap so warriors wore them like backpacks. It protected them from flying debris.
If this weapon sounds familiar, that’s because as time continued on…the nest of bees evolved into rockets/missiles of our modern era – which continue to evolve as we speak.
Note: Although we are focusing primarily on the genre of science fiction, most, if not all, points mentioned in this post can be applied to other genres in writing!
These are only a few names known in the realm of science fiction (sci-fi from here on out.) Our own worlds have broadened because someone took the time to travel to the futuristic unknown rather than entering a fantasy world. But what are some key components to writing sci-fi? Let’s get talking!
Like any other creative writing project, planning and mapping out your story is crucial and necessarily before you dive into your tale. Not only for plot purposes but you always need to question: “how will this affect that?” You know, the usual. Depending on your sci-fi story, you’ll get the opportunity to create even further. For example, settings are new, language is different than what we know on our planet, races vary even more so than skin color…there are so many details to account for! We always recommend doing research into other novels within your genre range. Take it a step further and watch shows and movies. It’ll help further stimulate your creativity.
Something to help you indulge in your research is looking into scientific journals, new discoveries by labs or space teams, etc. This can influence your story in any way you want it to. Shaping your universe with new discoveries and current-world situations. Not only that but you’re expanding your own knowledge. what a way to kill two birds with one stone!
Our last point we’d like to highlight pertains to another question you can ask yourself. What if…? Utilizing the knowledge in the journals you find and articles you read, you can mix this with the creative details you’ve mapped out thus far. Apply your ‘what if’ question and add more depth to your story, add a new element, or a new plot line. Whatever the case may be, you’re adding something to the story by asking what if.
We can all agree: languages are fun to write, sometimes. Other times, they’re difficult to work with. There are a variety of languages, accents, dialects, and so on we have to keep track of while writing our dialogue. There is a way to write them effectively, so let’s talk about it!
The readers of this day and age don’t typically take a liking to phonetic spelling. It may not be the route to take if you want to build an audience. These readers may not want the challenge in reading non-standard English. The real downfall is how much time they’re going to spend deciphering what the characters are trying to say without diving into the deeper meaning.
Any language can relate…no one speaks their language the same way.This is where dialect plays a huge role into how language is spoken and can be portrayed in writing. When anyone learns a language in grade school, they aren’t learning the different dialects of the language…but one canlearn through native speakers in certain areas. Depending on region and ethnicity, everyone speaks differently. Utilizing modern language with minor change to the dialect and phonetic spelling here and there will improve the quality of your story. This is only important if communication between your characters is a central point in your story. Most characters interact with others – but sometimes the language in which they speak…speaks volumes for the story.
Some important bits to remember when writing in other languages or dialects are diction, syntax, and idioms. All of these key components help the conversations between your characters become unique to them. Even if things sound strange to you, it may be best to detach your experiences from that of your characters speech.
Always remember: you want your characters to come off as unique through dialogue, especially if you want your reader to be able to distinguish who’s speaking. We also want less boring and more relatable characters so you have to find the perfect balance!